By Keith Beattie
Poet, propagandist, surrealist and documentary filmmaker - Jennings' paintings embodies a good mixture of startling apprehension, own expression and representational innovation. This publication rigorously examines and expertly explains the important elements of Jennings' most vital movies, and considers the relevance of his filmmaking to British cinema and modern experience.
Films analysed contain 'Spare Time', 'Words for Battle',' hearken to Britain', 'Fires have been Started', 'The Silent Village', 'A Diary for Timothy' and 'Family Portrait'.
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