By Tison Pugh
considering components reminiscent of the casting of kid actors, using and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the sophisticated subversions of ethical criteria via writers and administrators, Pugh issues out how innocence and sexuality clash on tv. As older sitcoms usually sit down on a pedestal of nostalgia as consultant of the Golden Age of the yankee relatives, tv background unearths a deeper, queerer imaginative and prescient of relations bonds.
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